
"Indian Man of Taos, 1919", 11"
x 9", Oil on board
Leon
Gaspard (1882 – 1964)
Gaspard
was the son of a retired Russian army officer who took him along as a
boy on
fur trading trips to Siberia. In Vitebsk he became the pupil of
Julius
Penn, along with Marc Chagall, a most important Post-Impressionist
artist.
Gaspard also studied in Odessa and Moscow before going to Paris at 17
for study
at the Julien Academy with Edouard Toudouze and Bouguereau, “the
supreme
academician.” His first one-man show while still a student resulted in
the
purchase of 35 Paris sketches by a New York collector. Gaspard
took his
American wife on a two-year horseback honeymoon in Siberia in 1908. The resulting
paintings
were a Paris success. He was
seriously wounded
as a French aviator shot down in WWI and moved to New York City in 1916.
When his doctors recommended a warmer climate, he settled in Taos in 1918. Although the
established
Taos artists received him coldly, except for Dunton, Gaspard found in
the
Indians and the terrain the basis for commercial success with his
“bright palette
and freely drawn, loosely painted scenes.” His paintings show “a love
of
exciting color and highly developed pattern. The intricate fabric of
his
methods of design are to an extent concealed by the accomplished way in
which
he preserves the casual immediacy of a sketch, even in large-scale
studio work.
Gaspard continued to travel extensively and to paint productively until
his
death.
Resource: SAMUELS’ Encyclopedia of ARTISTS of THE AMERICAN WEST,
Peggy and Harold Samuels, 1985, Castle Publishing
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